He is now internationally recognised and has received numerous awards, including the Hasselblad Master Award. His work has been published worldwide. He prefers to work in medium format with Hasselblad cameras, and he is renowned for his technical precision, compositional clarity and unmistakable visual language. His photographs are not the result of chance, but of careful observation, analytical design and an in-depth knowledge of geometry, patterns and structure. Light is important to him, but composition is crucial.

He travels to some of the most remote regions on Earth, including the Arctic and Antarctic, Iceland, and the forests, coastlines and wetlands of Scandinavia. Iceland, in particular, has become a lifelong photographic passion for him. Since the mid-1990s, he has repeatedly returned to photograph the country from the air and on the ground, in all weathers and even during a volcanic eruption. His aerial photographs of Icelandic river deltas, glaciers and volcanic landscapes have become iconic images of modern landscape photography. The large-format illustrated book Iceland is an expression of his intense engagement with the island of fire and ice.

However, Hans' work extends well beyond the traditional concept of the 'grand landscape'. In projects such as 'Beyond Landscape' and his detailed, intimate studies, he dissolves horizons and focuses on textures, lines and structures. Sand, ice, waterways, and forest fragments become abstract compositions that call to mind expressionist paintings. Having been an enthusiastic painter himself in his youth, he transfers this sense of space and form to his photography. His images depict not only places, but also the forces of erosion, gravity, growth and time.

Water is a central theme in his work. In his book Aqua, he focuses on the three states of matter — ice, liquid and vapour — and illustrates how water shapes landscapes while also being threatened itself. The retreat of glaciers, changes in ecosystems and the effects of climate change are themes in his more recent work. In the project 'Manmade Land', he turns his attention to human influence, examining agricultural monocultures, geometrically shaped fields, and interventions in fragile systems. From the air, these structures appear both aesthetically fascinating and disturbing. Beauty and warning lie close together.

Despite his artistic sophistication, he keeps his post-processing deliberately restrained. His motto is 'less is more'. He uses digital technology to refine what he saw and felt on site, rather than alienate it. He has been working in black and white alongside his colour work for decades, using the medium in a more experimental, free and personal way.

In addition to his photographic work, Hans is heavily involved in mentoring and leading workshops in Iceland, Sweden and Spain, as well as participating in long-term mentorship programmes. He conveys his knowledge of composition and realistic image editing with great clarity.

Hans now lives in the Stockholm area. As well as photography, his great passions are classical music and fine Burgundy wines, which he likes to mention.

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