A central focus of his work is black-and-white architectural photography. He is interested in modern architecture, clean lines, minimalist forms and the interplay of structure, material and light. He often finds colour distracting. In black and white, however, contrasts and structures are intensified and it is light and shadow that shape the space and direct the gaze. Consequently, architecture appears in his images less as a functional entity and more as an abstract composition.

He prefers to create this visual language through the use of long exposures. This makes time visible and lends static motifs an additional dimension. Clouds become flowing structures, skies become calm surfaces and water becomes graphic elements. Rather than freezing movement, they smooth it out, providing a conscious counterpoint to the often hectic perception of urban spaces.

The works on display at 10Fotos impressively illustrate this approach. Skyscrapers rise from dark surfaces, facades dissolve into light gradients, and architectural details emerge as independent forms. Martin often adopts extreme perspectives, either looking upwards or working with clear symmetries. At the same time, his portfolio also includes minimalist landscapes and water shots. These include jetties, piles, calm lakes and reflective surfaces that have an almost meditative effect. Architecture and landscape enter into a silent dialogue, both being reduced to their essential elements.

This signature style is also evident in his fine art landscapes and cityscapes. Minimalism plays a central role here, with omission being more important than addition. Each image has a clear internal structure. Nothing appears superfluous; everything seems necessary. His photographs encourage viewers to slow down, trace lines and consciously perceive light gradients.

Martin believes that not having to earn a living from photography gives him freedom. He photographs whatever fascinates him, free from external pressure and expectations. As well as architectural and landscape photography, he takes photos of street scenes, travel and animals, all of which are characterised by the same calm, thoughtful approach to imagery. His work is never loud or spectacular, but reveals its effect the more you look at it.

In addition to his photographic work, Martin also engages with photography on a theoretical level. He and Thomas Kleinert published the book Bessere Fotos – Bilder diskutieren, verstehen und verbessern("Better Photos: Discussing, Understanding and Improving Images"). Rather than covering classic fundamentals such as aperture, shutter speed, or the golden ratio, the book focuses on image criticism. Through open dialogue, the two authors analyse their own images from the fields of landscape, architecture, street and animal photography. Their discussions, which are sometimes unanimous but often controversial, encourage readers to think for themselves and hone their ability to recognise the impact of images, sources of error, and creative possibilities. This entertaining, informative, and practical book is ideal for anyone looking to enhance their photographic perception.

[ Text 10Photos ]